Život umjetnosti 109 (2021)
EDITOR-IN-CHIEF: Ivana Mance
EDITORIAL BOARD: Tamara Bjažić Klarin (Institut za povijest umjetnosti, Zagreb), Sanja Horvatinčić (Institut za povijest umjetnosti, Zagreb), Vladimir Kulić (FAU School of Architecture, Fort Lauderdale), Dalibor Prančević (Filozofski fakultet, Split), Beti Žerovc (Filozofska fakulteta, Ljubljana)
EDITORIAL COUNCIL: Nikola Dedić (Fakultet muzičke umetnosti, Beograd), Leonida Kovač (Akademija likovnih umjetnosti, Zagreb), Elke Krasny (Akademie der bildenden Künste, Wien), Suzana Milevska (Politecnico di Milano), Nicolas Sawicki (Lehigh University, Bethlehem), Luka Skansi (Filozofski fakultet, Rijeka). Łukasz Stanek (School of Environment, Education and Development, Manchester), Mechtild Widrich (School of the Art Institute of Chicago)
THEMATIC ISSUE EDITORS: Sandra Križić Roban, Ana Šverko
LANGUAGE EDITOR AND PROOFREADING: Dunja Aleraj Lončarić (hrvatski), Lida Lamza, Gordana Ivetić (engleski)
ENGLISH TRANSLATION: Stella Fatović-Ferenčić, Lida Lamza, Marina Schumann
DESIGN, LAYOUT AND PREPRESS: Ivan Klisurić
AUTHORS: Stella Fatović-Ferenčić, Hrvoje Gržina, Ivana Gržina, Leonida Kovač, Sandra Križić Roban, Ivana Kronja, Glorija Lizde, Lana Lovrenčić, Dijana Metlić, Nika Petković, Tihana Rubić, Ana Šeparović, Daniel Zec
COVER:
Petar Dabac, Iz foto-dnevnika / From the Photo Diary Lieber Pero, 1990–1997
VISUAL ESSAY
1–16
Glorija Lizde
Neustrašiva mladost
Fearless Youth
PROMATRATI VIĐENO / OBSERVING THE SEEN
22–32
Sandra Križić Roban
Promatrati viđeno
Observing the Seen
– Uvodnik / Introduction
34–51
Hrvoje Gržina
Klub amatera fotografa, Društvo umjetnosti i počeci organiziranoga fotoamaterskog pokreta u Zagrebu i Hrvatskoj
Amateur Photographers’ Club, Art Society and the Beginnings of an Organised Amateur Photography Movement in Zagreb and Croatia
– Izvorni znanstveni rad / Original Scientific Paper
52–65
Ivana Gržina
Angažman minhenske tvrtke Franz Hanfstaengl u Strossmayerovoj galeriji 1920-ih godina
Involvement of the Munich Company Franz Hanfstaengl in the Strossmayer Gallery in the 1920s
– Prethodno priopćenje / Preliminary Paper
66–85
Stella Fatović-Ferenčić
O Očnoj klinici vizualno: Očna klinika Medicinskog fakulteta Sveučilišta u Zagrebu slijedom sačuvane fotoarhive
The Eye Clinic’s Visual History: Zagreb School of Medicine University of Zagreb Ophthalmology Clinic in Accordance with the Preserved Photographic Archive
– Prethodno priopćenje / Preliminary Paper
86–111
Ana Šeparović, Tihana Rubić
Rod i klasa u međuratnoj fotografiji: interdisciplinarni pogled
Gender and Class in Interwar Photography: An Interdisciplinary View
– Pregledni rad / Review Paper
112–125
Dijana Metlić, Ivana Kronja
Umetnik iz senke: Delatnost Vojina Voje Mitrovića u istoriji fotografije
The Hidden Artist: The Work of Vojin Voja Mitrović in the History of Photography
– Prethodno priopćenje / Preliminary Paper
126–147
Daniel Zec
Intermedijalnost fotografije i skulpture. Fotografija kao medij samoreprezentacije u kiparskom opusu Oscara Nemona
Intermediality of Photography and Sculpture. Photography as a Medium of Self-representation in the Sculptural Opus of Oscar Nemon
– Prethodno priopćenje / Preliminary Paper
148–163
Lana Lovrenčić
LIEBER PERO. Poetska priča o jednom vremenu
LIEBER PERO. Poetic Story of a Time
– Prethodno priopćenje / Preliminary Paper
164–177
Leonida Kovač
Od olovke prirode do prirodne povijesti destrukcije
From the Pencil of Nature to the Natural History of Destruction
– Izvorni znanstveni rad / Original Scientific Paper
OSVRTI, PRIKAZI, RECENZIJE / REPORTS, ESSAYS, REVIEWS
180–187
Nika Petković
Vizualna metafora urbane transformacije
A Visual Metaphor of Urban Transformation
Julia Gaisbacher, One Day You Will Miss Me, Reinhard Braun (ed.), Graz: Edition Camera Austria, 2021